This is the second part of my last shoot in Cleveland a year ago. I feel rather stupid that I never really attempted to explore my old stomping grounds. There were so many great locations offering many great options. It was a photographers dream! Once again, my model endured all of my suggestions. He climbed […]
You can never take for granted the assistance of friends and fellow artists. This grouping of images stems from suggestions from my wonderful friend and fellow artist, Linda Gall. I had been whining about the increasing loss of abandoned buildings in Columbus. So Linda suggested an exploration in her hometown of Zanesville. Zanesville has an
I have always sought out a stronger purpose for my photography. I feel that the image can be complimented with other materials to tell stories. These items can reinforce the photo, making a stronger piece. The Alger Series of shadow boxes was my first series with a continuous theme. Utilizing book covers from Horatio Alger
So back in 2000, this wonderful building became available as a setting. I had noticed it many times in the past since it was close to a popular restaurant. I loved its architectural style. Like so many buildings in the city its abandoned status caused concern. Then suddenly, makeshift barriers and fencing went up and
Cemeteries carry a negative and morbid perception to most people. Beneath the obvious reasons there exists esoteric beauty. The solitude, landscaping and architectural variations provide an almost limitless backdrop for photography. Therefore, a frequent choice for my work. Older cemeteries are the best. Victorian cemeteries are even better! Finding these classic locations, you’ll quickly see
My preferred location is one that is off the beaten path or hidden. Or places that hide in plain view. I feel an affinity toward the forgotten for there is concealed beauty beyond the flashing lights. It’s exciting to find these gems because they are so transitory. Their beauty, like a blooming flower, can disappear
The image that prefaces this post is one of the first male figurative photographs I ever took. Accomplished at my school’s studio, it was a nervous attempt to reckon with my sexual awakening. This was the early ’80’s, when the male nude still elicited strange looks and whispers. But it felt appropriate. As a shy
I’m so bad at maintaining any semblance of a timeline. This post is basically an addendum to the past May 6th feature. I don’t know if my model had any idea of the lengths I’d go through or the scary post-apocalyptic settings he’d have to trudge through to get these amazing shots. In spite of
In spite of this year’s pandemic, it has been an excellent year for photography. I’ve met new models and worked more with established ones. It’s been very productive. One such young man is Anthony. Another find from Instagram, Anthony has proved to be another guy who is completely unencumbered by location. Listing himself as a
After discovering the Big Muskie while on a portrait shoot outside of Zanesville, Ohio, I knew this was something I had to shoot. The Muskie was a relic of an industrial age gradually disappearing. It was one of the largest shovels ever built. A iron monster sitting in the middle of nowhere begging to be
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