artistic work

black and white of old quarry stone crusher buildings

The Abandoned Nude

    Deserted spaces are not empty. They are vessels that contain memories of human life if you know how to see them. I grew up viewing forgotten structures as more than just ruins – they were symbols of man’s creativity, edifices of human ingenuity, definitive marks left in the world. They became the seeds. […]

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nude man looks over walled city in distance

Holiday Recap

The 2022 photography season truly began with Portugal. It was the first time that I felt comfortable enough to attempt a foreign country by myself. Armed with research done online, I had several destinations and a few contacts to assist with what became some of the best location work I’ve shot. This trip energized the

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nude man lays on stone railing

Wonderful Oliveé!

I am still trying to catch up with editing the summers activities. This month I’d like to feature work shot with the sweet Oliveé from New York. I was really impressed with his enthusiasm especially after a hideously complicated flight, which seems to be the norm anymore. Surprisingly he was unfazed with a calm demeanor

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nude man wandering sand dunes

Abel in the Algarve

Portugal was amazing! Overflowing with wonderful locations that peaked my interest. Equally thrilling were the terrific people I met through Instagram, then worked with. The first was actually an American who recently moved to the country. His name was Abel. A wonderful guy with an amazing ability to articulate so much emotion through his movements

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statue of Jesus in front of corn field

The Jesus Project

In the mid-90’s, a friend who dealt with antiques suggested a prop for me to photograph. When he mentioned that the prop was a life-sized plaster model of a reclining Jesus, I immediately declined. After constant urging, he recommended a simple inspection. I found it sitting alone in the unlit basement of an antique mall

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multi-image fabrication - photos attached to panels, coated with encaustic

Pandemic Production

Images flow dream-like. Bits and pieces form a cohesive vision. As I look through my photos, I always see my ideal of the human body interacting with the setting. These are locations with which mankind relates and reciprocates. Many see these as wastelands, but I see them for their history and their significance in our

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shadow box with image of man with descriptive ephemera

The Alger Box Series

I have always sought out a stronger purpose for my photography. I feel that the image can be complimented with other materials to tell stories. These items can reinforce the photo, making a stronger piece. The Alger Series of shadow boxes was my first series with a continuous theme. Utilizing book covers from Horatio Alger

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